
Info=An unknown, massive earthquake happens in a drilling station in the bottom of the Mariana Trench. A scientific crew must find their way across the ocean floor into another station under the threats of deep pressure, dark water, dangerous deep-sea creatures, and a constant lack of oxygen
Brian Duffield
6,7 of 10
Countries=USA
genre=Sci-Fi
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Watch full free movie underwater. Watch full underwater full. VOB (Video Object) is the container format in DVD-Video media. We will give you the link to watch Amenaza en lo profundo movie. Also found in: Thesaurus, Financial, Acronyms, Idioms, Encyclopedia, Wikipedia. un·der·wa·ter (ŭn′dər-wô′tər, -wŏt′ər) adj. 1. Relating to, occurring, used, or performed beneath the surface of water. 2. Nautical Below the water line of a vessel. un′der·wa′ter adv. underwater ( ˈʌndəˈwɔːtə) adj 1. (Physical Geography) being, occurring, or going under the surface of the water, esp the sea: underwater exploration. (Nautical Terms) nautical below the water line of a vessel 3. (Stock Exchange) (of a stock option or other asset) having a market value below its purchase value adv (Physical Geography) beneath the surface of the water un•der•wa•ter (ˈʌn dərˈwɔ tər, -ˈwɒt ər) adj. existing or occurring under water. designed to be used under water. 3. located below a ship's waterline. adv. 4. beneath the water: to travel underwater. n. 5. the water beneath the surface. 6. underwaters, the depths, as of a sea or lake. [1620–30] Thesaurus Antonyms Related Words Synonyms Legend: Adj. underwater - beneath the surface of the water; "submerged rocks" subsurface - beneath the surface; "subsurface materials of the moon" 2. underwater - growing or remaining under water; "viewing subaqueous fauna from a glass-bottomed boat"; "submerged leaves" aquatic - operating or living or growing in water; "boats are aquatic vehicles"; "water lilies are aquatic plants"; "fish are aquatic animals" underwater.
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Watch full underwater games. Movies | ‘Underwater’ Review: Wobbly Sea Legs Kristen Stewart is lean, intense and taciturn in this aquatic “Alien” attempt. But the movie is more boring than horrific. Credit... Alan Markfield/Twentieth Century Fox Underwater Directed by William Eubank Action, Drama, Horror, Mystery, Thriller PG-13 1h 35m Early on in this mercifully short horror picture, a crew member — one of a handful trapped nearly seven miles beneath the ocean in a collapsing futuristic oil rig — wrests from the sea an aggressive, super-gnarly-looking creature, which he brings to show the gang. “Oh no, ” a viewer might think, “you never bring the gnarly-looking thing back on the ship. Has no one in this movie seen ‘Alien? ’” Maybe, maybe not, but it doesn’t matter, as the thing doesn’t get to do much in that moment. Welcome to the world of “Underwater, ” a movie whose own sea legs are so wobbly, you’re never quite sure whether that weak fake-out was even deliberate. Directed by William Eubank from a script by Brian Duffield and Adam Cozad, it tries to establish some “Alien”-of-the-deep bona fides with its lead, Kristen Stewart, being lean, taciturn and intense in the opening scene. Stewart may well be as consequential a screen actress as Sigourney Weaver, but dreck like this isn’t going to build a comparable filmography. The crew member who finds the gnarly thing is played by T. J. Miller. The film wrapped before his brush with the law. While this may have contributed to the movie’s long shelving, Miller’s hardly the only problem here. It’s a challenge to keep action coherent and build suspense in the submerged environment simulated in “Underwater, ” but Eubank doesn’t meet it, instead falling back on stale shocks that are not credibly buttressed by swelling bass effects on the soundtrack. And the final form of the menacing sea creature is in its way as laughable as the carpet monster in the 1964 cinematic mishap “The Creeping Terror. ” Underwater Rated PG-13 for gnarly looking things and bass-boosted shock scares. Running time: 1 hour 35 minutes.
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Watch Full underwater. Watch underwater full movie. After clicking on play to watch online movie Amenaza en lo profundo, is completely in good quality will not immediately, as is buffering (downloading a movie) will take some time. Underwater full movie. Watch Full underwater photography. Watch full underwater world. There was a problem filtering reviews right now. Please try again later. Reviewed in the United States on March 7, 2020 This is a movie that values its audience's time and doesn't screw around with a bunch of fluff. Within two minutes of the start we're blown into the action and racing against time for survival. We're harried and scraped through increasingly perilous situations, dire fates looming centimeters away from us as we try to figure out what's happening. But then the twist. And I won't spoil it, because I wasn't expecting it. But as a fan of movies who 'go for it' and aren't afraid to get weird to tell their movie gets WEIRD. And it's all over in 88 minutes. Including the Schwarzenegger-esque finale with close-ups and one-liners galore this film leaves you absolutely satisfied at the use of your time. This movie didn't get half the credit it deserved in theaters. It's The Abyss without extra hour of expository nonsense. It's a kinetic action film that moves its heroes along with the stakes--And then it gets weird and even more fun. Watch this movie. It's not going to give you a moral, it's not a political commentary, it's just a solid action film. Reviewed in the United States on April 14, 2020 Verified Purchase This movie allowed us to see, what we already knew! That Kristen Stewart is a fantastic actress that is often overlooked or prejudiced against. She along with the other cast delivered a great performance. Reviewed in the United States on April 14, 2020 Verified Purchase I really enjoyed this film. Stewart put on a hell of a performance. And the design of the movie was a visual treat. Yes, the are borrowing from Alien. But I don't think they were ever trying to hide that. Reviewed in the United States on April 18, 2020 Verified Purchase A third-rate Alien knockoff bolstered by surprisingly game on-screen talent and some decent atmospherics. The main issue here is a distinct lack of reason for being — Why are these characters and the barely-alluded-to corporation they work for drilling on this impossibly massive platform in the Mariana Trench? Why do the creatures look exceedingly terrestrial? Why does everyone have to strip to their skivvies to fit into their spac- I mean, *diving suits? Well, because the audience wants to see sparks fly as Kristen Stewart gets battered around by fleshy grotesques in her underwear. Stewart does an admirable job embodying the Ripley-mold, but her character is paper-thin and leaves little to attach to. Unlike the crew in Alien or any number of recent lesser retreads (like 2017's Life), the supporting characters here lack anything more than a single, perfunctory background motive for even existing. Cassel, Athie, and, surprisingly enough, TJ Miller do what they can to breathe a little life into their poorly drawn roles, but they never feel like people because they're never given an adequate chance to flesh themselves out. William Eubank's direction is similarly frustrating. His earlier work in 2012's The Signal was, at least visually, sensuous and intriguing, but here we see him recycle and often misuse the same tricks he used in that film, only with a much, much larger budget. Prepare yourselves for needless slow-down effects, too many mid/close ups, and largely unintelligible CGI set-pieces on the ocean-floor. To call the editing choppy would be an understatement, while admittedly pretty fitting; nearly every aspect of the film, from the action sequences to the story-telling at large, is hindered by what I can only assume was a slapdash effort to salvage a shipwreck of a production. You know you're in trouble when TJ Miller is the highlight of your movie... On the plus side, Underwater features inspired (if completely unrealistic) set and costume design — I love the armored, space-esque industrial diving suits, in particular. The cinematography is generally fine outside the muddied action set-pieces, and the concept across the board holds a lot of potential, albeit potential that's been delivered far better in the decades prior to this release. Overall, though, Underwater is far too light to stay at the depths it aims for. Reviewed in the United States on April 14, 2020 Verified Purchase Heard this movie got some mixed reviews so decided to check it out for myself. Super solid performances by the cast, especially from Kristen Stewart. Just the cinematography and special FX alone in this movie were really good. The story doesn't focus too much in one direction which I personally think was a good thing for this movie. It plays heavy on the suspense factor but doesn't depend too heavy on the creatures and the small twist at the end was really pleasant. Definitely worth the watch. Thanks for checking out my review! Reviewed in the United States on April 17, 2020 Verified Purchase This is a tense movie from start to finish... the acting is good, the enemy is mysterious and the sense of being closed in is real. There is no over-reliance on supposedly smart characters making dumb choices, which is nice. Further, this is a movie that just doesn't have any social axes to grind. It isn't a thinly veiled political "commentary" which is VERY rare right now. It's just a monster movie... imagine that! Side note: It's also one of the best Lovecraftian movies you'll come across. It sits perfectly within that universe. Reviewed in the United States on April 14, 2020 Verified Purchase Poor writing, unoriginal, no acting skills apparent, short. If you must see it, just watch the trailer and then get on with your life. Reviewed in the United States on April 15, 2020 Verified Purchase The essence of mysterium tremendum et fascinans almost done right. That which is mysterious, tremendous and fascinating all at once. An ode to Jaws and those like it. The movie wastes no time on buildup of unnecessary details. A couple of key points I'd say it dropped the ball. Namely on reveals going too far. It's easy to screw this up though so it's forgivable. Some other details which didn't make sense which I won't go into here. You'll see! It didn't flip any tables or stir anything super imaginative. What it does is keep you watching until the end which is good. It didn't go crazy with Mary Sue power or pushing any politics. Just a decent underwater horror flick. It's worth the rental price IMO.
Watch full underwater song. Watch full underwater girl. Watch full underwater hd. An effective sci-fi thriller that acknowledges its inspirations. 1/10/2020 Kristen Stewart and Vincent Cassel play survivors of an endangered deep-sea drilling crew in William Eubank's monster movie. Following up on his 2014 brainteaser The Signal, William Eubank's Underwater lets viewers know what they're in for from the start: If its title treatment's faint echo of Alien doesn't tip you off (with letters materializing onscreen out of order against a ghostly expanse), a credits sequence heavy on newspaper-headline exposition may remind you of recent Godzilla reboots, in which humanity's hubris awakened terrible creatures from the deep. Sure, our working-class heroes — survivors of a deep-sea drilling disaster — are fighting against terrifying odds just to get to a structure that won't crumple under unfathomable water pressure before their oxygen runs out. But this is a creature feature, whose gory jump-scares and icktastic critter design are the reason you're here. An ensemble led by Kristen Stewart brings credible camaraderie to the scenario without quite matching the vivid chemistry of Alien and its best descendants; with such a tightly packed survival tale ahead of them, though, few viewers will be calling out for more character development. Stewart plays Norah, a mechanical engineer working more than six miles beneath the ocean's surface on the deepest drilling operation in history. Alone at the film's beginning, she speaks to us in a surprisingly pensive voiceover, making elliptical references to a former boyfriend and declarations — "there's a comfort to cynicism; there's a lot less to lose" — that don't sync up with anything to come in the film. No matter: Norah's about to be jolted from her reverie by a breach in her station's hull. After a panicked race to find a structurally sound airlock, she realizes hundreds of her crewmates have been killed by the explosive flood. As she and the one other survivor from this part of the station (Mamoudou Athie's Rodrigo) crawl through rubble searching for others, the film mercilessly amplifies the setting's inherently claustrophobia-triggering qualities. Gathering soon with their captain (Vincent Cassel) and three other survivors (T. J. Miller, Jessica Henwick and John Gallagher Jr. ), they realize their only option is to get in spacesuit-like deep sea gear, descend further to the ocean floor, and walk out to the main drilling station. As they figure things out, they get their first looks at what's responsible for weird noises they're hearing outside — an unknown species originating from suboceanic thermal vents, perhaps, forced out by a drilling-triggered seismic event. Here's hoping that event didn't wreck the drilling site as it did this command center. As they prepare to make the trip, Norah instructs Emily (Henwick), the only other woman in the group, to take off her pants, as they won't fit in the undersea suit. Presumably, the line was slipped into the script to justify the fact that, later in the film, Stewart will spend multiple scenes running around in just her underwear. But it might draw attention to this contrivance instead: Those exoskeleton-like suits clearly weren't tailored to fit individual crewmembers, and Miller's character Paul (the cast's comic relief, naturally) just reminded us what a big fella he is. How can a suit accommodate his girth, with room left for the stuffed animal he inexplicably carries around, while the much smaller Emily and Norah have to strip down? Grounded in reality or not, a skimpier version of Ellen Ripley's underwear-action-hero look is one Alien reference this movie could've done without. Eubank maximizes the cold-sweat factor once his characters are on the ocean floor — totally exposed to the monsters they're hearing, but unable to see them in the sediment-clouded murk. He puts his camera into Norah's helmet, but films her from the side, emphasizing how trapped she is within; several violent scenes remind us all how horrible it would be if that transparent shell were to crack. Or be cracked. Eubank rations out the pic's monsters with skill — lots and lots of "what's that sound?! " at first, followed by quite effective partial or fleeting glances. But even after we've seen the fluidly-moving things in full and at length, the film nicely balances their menace with that of the depths. In fact, Underwater hints at one point that the ocean is the only thing truly worth fearing here. In a fleeting echo of man-plays-God sci-fi parables of yore, a character describes the monsters as Mother Earth's vengeance on those who would never stop looking for ways to extract her resources: "We took too much — and now she's taking back. " Whether on Earth or on ore-rich moons far out in the galaxy, it seems the ones chanting "Drill, baby drill" the loudest are never around when the mine collapses, the rig explodes or a monster shows up to punish their greed. Production company: Chernin Entertainment Distributor: Twentieth Century Fox Cast: Kristen Stewart, T. Miller, Jessica Henwick, Vincent Cassel, John Gallagher Jr., Mamoudou Athie Director: William Eubank Screenwriters: Brian Duffield, Adam Cozad Producers: Peter Chernin, Tonia Davis, Jenno Topping Executive producer: Kevin Halloran Director of photography: Bojan Bazelli Production designer: Naaman Marshall Costume designer: Dorotka Sapinska Editors: Brian Berdan, William Hoy, Todd E. Miller Composers: Marco Beltrami, Brandon Roberts Casting director: Angela Demo Rated PG-13, 94 minutes.
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Watch full underwater live. Watch underwater full movie online. Watch full underwater movies. Watch full underwater free. Watch full underwater videos. Watch full underwater fish. Watch full underwater movie. Before technology took over the movies, a cruddy sci-fi action thriller often looked just as bad as it played. No longer. “ Underwater, ” a deep-sea knockoff of “Alien” set on a corporate research rig seven miles beneath the surface of the ocean, has been made with the kind of lavish atmospheric precision that, 30 years ago, you’d have been hard-pressed to find outside a movie directed by James Cameron. Now, though, even a dregs-of-January throwaway will get slathered in the kind of grand-scale murk and logistical explosiveness that’s meant to excite us, even if the story it’s telling is rudderless junk. Well, guess what? It doesn’t excite us. “Underwater” is a stupefying entertainment in which every claustrophobic space and apocalyptic crash of water registers as a slick visual trigger, yet it’s all built on top of a dramatic void. It’s boredom in Sensurround. The film opens with its grabbiest visual effect, which is Kristen Stewart ’s hair. It’s been dyed a whiter shade of blonde and cropped so prison-camp short that it’s beyond anything that pretends to look fetching; but that’s what’s supposed to make it cool. Stewart plays Norah, a mechanical engineer who is one of a team of researchers living in an undersea station that consists of long modular passageways that appear as flimsy as an oversize doll’s house. Early on, when water starts crashing through the walls in the wave equivalent of bullet-time, turning the place into a science-lab Titanic that’s already sunk, we experience every jolt and surge, the joints of the structure creaking with a pressure so intense it sounds otherworldly (and, in fact, is). The scale of destruction is undeniably impressive, yet the film already feels waterlogged. Norah, teaming up with Rodrigo (Mamoudou Athie), escapes the deluge, and they join forces with half a dozen coworkers from the collapsing facility, all under the leadership of the mission’s captain, played by the Picasso-eyed French character actor Vincent Cassel, who like everyone else in the film has a barely written role, so that even his surly charisma is wasted. The captain comes up with a Hail Mary plan: They will walk along the bottom of the ocean to reach the project’s Roebuck drill station, where they can take shelter and get to the surface. The plan, as laid out, holds very little water, dramatically or as a plausible survival option — it’s just an excuse to get everyone to put on deep-sea diving suits as chunky as refrigerators, and to kill time until the monsters show up. The days when acting in a film like “Underwater” could dim your star belong to the past. Yet watching it, you still think: What’s an actress as classy as Kristen Stewart doing in a potboiler like this? Yes, it’s important to demonstrate you’ve got the right commercial attitude, but when you take on the lead in a movie so listlessly derivative, it tends to be a lose-lose situation, creatively and at the box office. In “Underwater, ” Stewart locks herself in terse anxiety mode and never deviates from it. She’s an actress who needs a good script to tap her verbal sharpness, but it’s clear that someone convinced her that “Underwater” would give her the chance to be “just like” Sigourney Weaver’s Ripley (right down to the anti-movie-star coif). But when you’re “just like” a character who’s that iconic, you’re really nowhere at all. A scene with a darting pink undersea alien fetus is truly unfortunate. Does the film really want to be this much of a carbon copy of “Alien, ” given that it’s a thousand times less scary? At the same time, the director, William Eubank, seems to be taking cues from “The Meg, ” going for the “size matters” school of monster-jawed menace. The main creature in “Underwater” suggests a jellyfish the size of a Macy’s Thanksgiving Day Parade balloon, with rows of teeth that are like something out of “The Nun. ” It’s a beast that looks like it could eat an entire underwater station in one bite, even as it’s taking nibbles out of a talented actress’s career.
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